Samuel Palmer was largely forgotten after his death. In 1909, large amounts of his Shoreham work were destroyed by his surviving son Alfred Herbert Palmer, who burnt “a great quantity of father’s handiwork … Knowing that no one would be able to make head or tail of what I burnt; I wished to save it from a more humiliating fate”. The destruction included “sketchbooks, notebooks, and original works, and lasted for days”. It wasn’t until 1926 that Palmer’s rediscovery began through a show curated by Martin Hardie at the Victoria & Albert Museum, Drawings, Etchings and Woodcuts made by Samuel Palmer and other Disciples of William Blake
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